"Emily Dickinson's Letters" by Thomas Wentworth Higginson

The following is taken from page 5 of "Emily Dickinson's Letters" by Thomas Wentworth Higginson. Published orginally
in Atlantic Monthly,October, 1891

Higginson was the man who was responsible for bringing Dickinson's poetry to the
light of the world - though she sought him out herself. Of their relationship to each
other much can be said and many books have been written. The point of this post,
however, is to show that Dickinson's prose was often as inspired as her poetry,
and to hear her voice in the immediacy and clarity that only a letter from the past can
provide.

The letter follows below:

"With this came the poem already published in her volume and entitled "Renunciation"; and also that beginning "Of all the sounds dispatched abroad," thus fixing approximately the date of those two. I must soon have written to ask her for her picture, that I might form some impression of my enigmatical correspondent. To this came the following reply, in July, 1862: --

    Could you believe me without? I had no portrait, now, but am small, like the wren; and my hair is bold, like the chestnut bur; and my eyes, like the sherry in the glass, that the guest leaves. Would this do just as well?
    It often alarms father. He says death might occur, and he has moulds of all the rest, but has no mould of me; but I noticed the quick wore off those things, in a few days, and forestall the dishonor. You will think no caprice of me.
    You said "Dark." I know the butterfly, and the lizard, and the orchis. Are not those your countrymen?
    I am happy to be your scholar, and will deserve the kindness I cannot repay.
    If you truly consent, I recite now. Will you tell me my fault, frankly as to yourself, for I had rather wince than die. Men do not call the surgeon to commend the bone, but to set it, sir, and fracture within is more critical. And for this, preceptor, I shall bring you obedience, the blossom from my garden, and every gratitude I know.
    Perhaps you smile at me. I could not stop for that. My business is circumference. An ignorance, not of customs, but if caught with the dawn, or the sunset see me, myself the only kangaroo among the beauty, sir, if you please, it afflicts me, and I thought that instruction would take it away.
    Because you have much business, beside the growth of me, you will appoint, yourself, how often I shall come, without your inconvenience.
    And if at any time you regret you received me, or I prove a different fabric to that you supposed, you must banish me.
    When I state myself, as the representative of the verse, it does not mean me, but a supposed person.
    You are true about the "perfection." To-day makes Yesterday mean.
    You spoke of Pippa Passes. I never heard anybody speak of Pippa Passes before. You see my posture is benighted.
    To thank you baffles me. Are you perfectly powerful? Had I a pleasure you had not, I could delight to bring it.

    YOUR SCHOLAR.

This was accompanied by this strong poem, with its breathless conclusion. The title is of my own giving: --

    THE SAINTS' REST

    Of tribulation, these are they,
    Denoted by the white;
    The spangled gowns, a lesser rank
    Of victors designate.

    All these did conquer; but the ones
    Who overcame most times,
    Wear nothing commoner than snow,
    No ornaments but palms.

    "Surrender" is a sort unknown
    On this superior soil;
    "Defeat" an outgrown anguish,
    Remembered as the mile

    Our panting ancle barely passed
    When night devoured the road;
    But we stood whispering in the house,
    And all we said, was "Saved!"

    [Note by the writer of the verses.] I spelled ankle wrong."

Hope -- by Emily Dickinson

Hope

Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.

I Read - Analysis



This poem is actually the dedication written by Richard Peck for his autobiography, "Anonymously Yours". Whether or not this can be considered a "real poem" is an open question. Given the straight forward but bold structure and strong emotional appeal, I would argue that it is. Peck is the author of many books across many genres - largely for young readers, but also including some works that address much more adult matters. You can learn more about the author here

I Read by Richard Peck


"I read because one life isn't enough, and in the page of a book I can be anybody;

I read because the words that build the story become mine, to build my life;

I read not for happy endings but for new beginnings; I'm just beginning myself, and I wouldn't mind a map;

I read because I have friends who don't, and young though they are, they're beginning to run out of material;

I read because every journey begins at the library, and it's time for me to start packing;

I read because one of these days I'm going to get out of this town, and I'm going to go everywhere and meet everybody, and I want to be ready."

Time by Khalil Gibran


And an Astronomer said, "Master, what of time?"


And he answered:


You would measure time the measureless and the immeasurable.


You would adjust your conduct and even direct the course of your spirit according to hours and seasons.


Of time you would make a stream upon whose bank you would sit and watch its flowing.


Yet the timeless in you is aware of life's timelessness,


And knows that yesterday is but today's memory and tomorrow is today's dream.


And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space.


Who among you does not feel that his power to love is boundless?


And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds?


And is not time even as love is, undivided and spaceless?


But if in your thought you must measure time into seasons, let each season encircle all the other seasons,


And let today embrace the past with remembrance and the future with longing.

A Lesson in Drawing - Nizar Qabbani




My son places his paint box in front of me

and asks me to draw a bird for him.

Into the color gray I dip the brush

and draw a square with locks and bars.

Astonishment fills his eyes:

"... But this is a prision, Father,

Don't you know, how to draw a bird?"

And I tell him: "Son, forgive me.

I've forgotten the shapes of birds."

***

My son puts the drawing book in front of me

and asks me to draw a wheatstalk.

I hold the pen

and draw a gun.

My son mocks my ignorance,

demanding,

"Don't you know, Father, the difference between a

wheatstalk and a gun?"

I tell him, "Son,

once I used to know the shapes of wheatstalks

the shape of the loaf

the shape of the rose

But in this hardened time

the trees of the forest have joined

the militia men

and the rose wears dull fatigues

In this time of armed wheatstalks

armed birds

armed culture

and armed religion

you can't buy a loaf

without finding a gun inside

you can't pluck a rose in the field

without its raising its thorns in your face

you can't buy a book

that doesn't explode between your fingers."

***

My son sits at the edge of my bed

and asks me to recite a poem,

A tear falls from my eyes onto the pillow.

My son licks it up, astonished, saying:

"But this is a tear, father, not a poem!"

And I tell him:

"When you grow up, my son,

and read the diwan of Arabic poetry

you'll discover that the word and the tear are twins

and the Arabic poem

is no more than a tear wept by writing fingers."

***

My son lays down his pens, his crayon box in

front of me

and asks me to draw a homeland for him.

The brush trembles in my hands

and I sink, weeping.


"The Icecream People" -- Charles Bukowski

the lady has me temporarily off the bottle
and now the pecker stands up
better.
however, things change overnight--
instead of listening to Shostakovich and
Mozart through a smeared haze of smoke
the nights change, new
complexities:
we drive to Baskin-Robbins,
31 flavors:
Rocky Road, Bubble Gum, Apricot Ice, Strawberry
Cheesecake, Chocolate Mint...


we park outside and look at icecream
people
a very healthy and satisfied people,
nary a potential suicide in sight
(they probably even vote)
and I tell her
"what if the boys saw me go in there? suppose they
find out I'm going in for a walnut peach sundae?"
"come on, chicken," she laughs and we go in
and stand with the icecream people.
none of them are cursing or threatening
the clerks.
there seem to be no hangovers or
grievances.
I am alarmed at the placid and calm wave
that flows about. I feel like a leper in a
beauty contest. we finally get our sundaes and
sit in the car and eat them.



I must admit they are quite good. a curious new
world. (all my friends tell me I am looking
better. "you're looking good, man, we thought you
were going to die there for a while...")
--those 4,500 dark nights, the jails, the
hospitals...



and later that night
there is use for the pecker, use for
love, and it is glorious,
long and true,
and afterwards we speak of easy things;
our heads by the open window with the moonlight
looking through, we sleep in each other's
arms.



the icecream people make me feel good,
inside and out.