My son places his paint box in front of me
|
and asks me to draw a bird for him.
|
Into the color gray I dip the brush
|
and draw a square with locks and bars.
|
Astonishment fills his eyes:
|
"... But this is a prision, Father,
|
Don't you know, how to draw a bird?"
|
And I tell him: "Son, forgive me.
|
I've forgotten the shapes of birds."
|
***
|
My son puts the drawing book in front of me
|
and asks me to draw a wheatstalk.
|
I hold the pen
|
and draw a gun.
|
My son mocks my ignorance,
|
demanding,
|
"Don't you know, Father, the difference between a
|
wheatstalk and a gun?"
|
I tell him, "Son,
|
once I used to know the shapes of wheatstalks
|
the shape of the loaf
|
the shape of the rose
|
But in this hardened time
|
the trees of the forest have joined
|
the militia men
|
and the rose wears dull fatigues
|
In this time of armed wheatstalks
|
armed birds
|
armed culture
|
and armed religion
|
you can't buy a loaf
|
without finding a gun inside
|
you can't pluck a rose in the field
|
without its raising its thorns in your face
|
you can't buy a book
|
that doesn't explode between your fingers."
|
***
|
My son sits at the edge of my bed
|
and asks me to recite a poem,
|
A tear falls from my eyes onto the pillow.
|
My son licks it up, astonished, saying:
|
"But this is a tear, father, not a poem!"
|
And I tell him:
|
"When you grow up, my son,
|
and read the diwan of Arabic poetry
|
you'll discover that the word and the tear are twins
|
and the Arabic poem
|
is no more than a tear wept by writing fingers."
|
***
|
My son lays down his pens, his crayon box in
|
front of me
|
and asks me to draw a homeland for him.
|
The brush trembles in my hands
|
and I sink, weeping. |
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